I heard once that the lyrics were inspired by a journal entry from a tallship log. I can't find any info to confirm this but I did find the following quote on ProcolHarum.com.
Says Gary (Brooker): 'A Salty Dog was the first time that we used orchestration. I wanted to have strings on the number and it was my first arrangement. I loved doing it. I'd met a viola player when we were on tour with the Bee Gees in Germany who were using an orchestra. He was very supportive, almost like a music teacher. He actually put an orchestra together for us and members were all leaders of top London orchestras. We got a very warm chamber music sound on A Salty Dog.' The song's lyrics were heavy on metaphor and reversed meanings of words, a device that Keith Reid used a lot. A good example is the captain's phrase 'All hands on deck - I think we've run afloat' instead of 'aground'. 'I don't know what it's all about', admits Gary. 'You can put your own interpretation on it. Somebody in America once wrote about the song for her university degree thesis. She developed no less than 17 different interpretations of the song, which were all a kind of valid. I've always sung it for BJ Wilson since he died a couple of years ago, and it does seem to be about man's journey through life in some way. It's also about the group. It's a glowing piece of writing.'
I recently found a copy of The Best Of Procol Harum on vinyl. Listening to it inspired me to start this blog. I've been tweeting about all the vinyl I've been listening to lately, but I wanted to say more about the music and art of the records. The compilation has most of songs recognized as hallmarks by the band (at least prior to 1972); "A Whiter Shade Of Pale", "Conquistador (Live)", "In The Wee Small Hours Of Sixpence"and "A Salty Dog", among others.
In listening there was one track I was not quite as familiar with. I'd seen a video of them performing "Simple Sister", but I had never listened to the studio version. HOLY F*CK is this song amazing! Right from the start the guitar line gets you. It's a similar sound and chord progression to George Harrison's tour de force "While My Guitar Gently Weeps" and Chicago's blistering "25 or 6 to 4", but it doesn't stay there for long. This song is a layered masterpiece that deserves headphones turned up loud. The genius of the song is in the second half after the breakdown. They continue to add more and more with each cycle but it never feels wrong or over-produced - just epic!
Needless to say, I'm gonna wear out whatever grooves are left on this record! Go getcha some and check back soon to see what I listen to next.